This the second entry in a four-part series on the process of custom designing a piece of jewelery.
Once
a
design is approved, Tony has to decide whether to create a model
of the piece using the lost wax process or CAD (computer aided design) .
Lost Wax Process
The lost wax process works well for organic designs and unusual
settings. When modeling a piece of jewelery using this process, Tony
applies either subtractive or additive techniques. An example of the subtractive approach is when he begins with a block of wax and carves a ring from it
by removing the wax in a systematic manner to get to the desired shape and
design. When using an additive approach he starts with a smaller piece of wax and builds it up with a wax pen to get the
desired shape.
And in some situations he uses both subtractive and additive methods.
|
A wax model temporarily fitted with the stones that will be set in the actual ring. |
Fabrication
Occasionally, the design requires outright
fabrication,
directly shaping metal into the final form. In this situation the
modeling process is bypassed entirely. This method involves melting the
metal into an ingot and using a rolling mill to make a sheet or wire.
The metal will then be shaped and forged in to the components needed to
complete the job.
|
This ring was not modeled using the lost wax process or CAD. Instead it was fabricated directly from metal. |
The wax model or CAD representation is usually presented to the customer for approval. Then the next
step is
Casting and that is the subject for the third part of this
series.
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